BIIG TIME: TOOK BROTHERS UNITE TO SOUND BIGGER THAN RECORD ON BRAND NEW SINGLE
SINGLE REVIEW | BIIG TIME - BIGGER THAN NOTHING by Gracie Erskine ★★★★ After stealthily creeping out of the shadows,...
Gracie Erskine
‘An Egotistical Observational Punch Of A Debut’ Welly: Big In The Suburbs
ALBUM REVIEW | WELLY - BIG IN THE SUBURBS by Gracie Erskine ★★★★ ‘Welly’: rubber boots, meat in pastry or...
DIVORCE ‘DRIVE TO GOLDENHAMMER’: HOW TO GLUE A PAINTBRUSH TO A GIBSON
★★★★ Winding peaks and sumptuous valleys seem a complementary landscape to backdrop the serenely chaotic debut album from theatrically folk,...
THE RILLS: SOCIAL MEDIA, STRANGERS AND SUPPLANTING INDIE
INTERVIEW | MITCH SPENCER - THE RILLS by Gracie Erskine 'Indie, it's like a flavour'Mitch Spencer (The Rills) With a...
BILK: “GENRE DEFIANT, GENERALLY DEFIANT YET AN EXPLOSION OF INDIVIDUALITY”
ALBUM REVIEW | BILK - ESSEX DRUGS AND ROCK AND ROLL by Gracie Erskine ★★★★ Bilk. A marmite name within...
BILK FRONT MAN ON ‘ESSEX, DRUGS AND HOW THE BUS DRIVER MIGHT BE MORE ROCK N ROLL’
INTERVIEW | SOL ABRAHAMS (BILK) by Gracie Erskine With the music scene crying out for sincerity, Gracie Erskine spoke to...
EVAN WILLIAMS ‘RIDE ON’: THE ENGLISH COWBOY
In addition to an array of twanging word building narratives, Kent singer-songwriter Evan Williams dips his ink to paint a wild western...
BAD NERVES AT THE LEADMILL: A CHAOS CAUSING JOB FOR THE DRY CLEANERS
LIVE REVIEW | BAD NERVES w/ UltraQ | SHEFFIELD LEADMILL 16/12/2024 by Gracie Erskine ★★★★★ Bad Nerves blend showmanship and rebellion...
‘A POSTHUMOUS PECK’ – THE ZUTONS COVER AMY WINEHOUSE’S ‘BACK TO BLACK’
SINGLE REVIEW | THE ZUTONS - BACK TO BLACK by Gracie Erskine ★★★★ 13 years since the tragic death of...
