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ADMT (Kevin O'Sullivan/Northern Exposure)

Rating: 5 out of 5.

LIVE REVIEW | ADMT w/ Ansley Williams and Liv Harland | DINGWALLS, LONDON 31st October 2025 by Kevin O’Sullivan

It was a rainy Halloween night in Camden, the kind that leaves the streets shining under the glow of pub lights. Inside Dingwalls, coats were hung, pints were poured, and a friendly, expectant atmosphere settled in. This was the final night of ADMT’s UK tour – a small-room send-off for an artist whose following is growing fast.

The evening featured three performers, each at a different point in their career but united by talent and authenticity.

Ansley Williams – Soulful and Assured

Opening the night was Ansley Williams from Atlanta, closing out her first-ever tour with confidence and poise. Having already played Carnegie Hall, she carried herself with quiet assurance and an obvious love for performing.

Her voice was rich and expressive, easily filling the room without force. Midway through her set came a surprise highlight – a reimagined version of “I Want Candy” that turned the pop classic into a smooth, soulful moment that fit her tone perfectly. Later, Damaged Goods – introduced as a song about mental health and self-worth – struck a chord with the audience. It was heartfelt and performed with honesty, earning warm applause.

Williams came across as someone focused on her craft rather than the noise around it. Her professionalism and sincerity made a strong impression – a name to remember, and likely to reappear on UK stages before long.

Liv Harland – Simplicity and Strength

Next came Liv Harland, from York. Performing with just an iPad for backing, she created a sense of stillness in the room that few artists can achieve. The moment she began to sing, conversation stopped.

Her tone was delicate but confident, her control exceptional. A cover of Miley Cyrus’ “When I Look at You” showcased her ability to balance fragility and power, while her original song Oceans demonstrated genuine songwriting talent – emotionally resonant but never overwrought.

Harland’s influences – Mimi Webb and Billie Eilish – are clear, yet she brings her own grounded authenticity. From busking on the streets to nearing 50 million Spotify streams, she’s clearly connecting with audiences in an organic way. Tonight’s stripped-back set showed exactly why: she doesn’t need much to make a big impact.

ADMT – The Voice of the North

Finally, ADMT – real name Adam Taylor – stepped onstage to a warm reception. His blend of soulful pop and heartfelt storytelling immediately struck a chord. Backed by an enthusiastic crowd who knew every word, he worked through an extensive set including “Come Along,” “Homeless,” “Fools Gold,” “Forget About Us,” “Overboard,” “Queens,” “Weekend Offender,” and “North.”

Between songs, Taylor spoke openly about growing up in Doncaster – the challenges, the factory jobs, and learning to be proud of his roots. That pride runs through his music, particularly “North,” which became a genuine singalong moment. His honesty and warmth made the performance feel personal, even in a busy room.

He’s already shared stages with Anne-Marie and James Arthur, and it’s easy to imagine his next London show happening on a much bigger stage. Comparisons to Cian Ducrot and Dermot Kennedy make sense, but there’s a distinctive Northern edge that’s entirely his own.

As people filed back out into the Camden rain, there was a real sense of satisfaction. Ansley Williams impressed with her control and charisma, Liv Harland silenced the room with her voice, and ADMT closed with passion, pride, and connection.

It might have been wet and cold outside, but inside Dingwalls it was a night full of warmth – three artists proving that honesty and heart still cut through, even on a rainy night in Camden.