TWY MANC14

Rating: 5 out of 5.

LIVE REVIEW | THE WONDER YEARS w/ Gully Boys, Free Throw | ALBERT HALL, MANCHESTER | 16th January 2026 by Craig Harston

Photo’s by @ambgyphotography

One of the best modern pop punk bands, Philadelphia’s The Wonder Years are best known for marrying huge pop punk hooks with mature topics; loss, the pitfalls of adulthood and finding a sense of self. Returning to the UK for the first time since 2022 to celebrate the tenth anniversary of their firth record, ‘No Closer To Heaven’. An album that found the six-piece exploring new musical territory, blending an alternative rock edge with their signature emo/pop punk sound.

Gully Boys

First up though were Minneapolis’ Gully Boys, who successfully managed to get the early crowd warmed up with a set of songs that got more high energy as it went on, with ‘Murderapolis’ a particular highlight.

Free Throw

Emo band Free Throw then picked up the baton, getting the first mosh pits and crowd surfing of the night. From ‘This Corners Dilemma’ to ‘Two Beers In’, they had the crowd in the palm of their hands, singing along to every word!

By the time The Wonder Years hit the stage, the room was well and truly ready for them! While they largely played ‘No Closer To Heaven’ in order, they made the smart decision to open with the album closer and title track, a perfect way to kick off their show. And what a show it was!

The Wonder Years

One of the great things about when a band plays an album in full is there’s plenty of deep cuts alongside the more popular songs. The likes of ‘Cardinals’ (which got the pit going again and had the room singing so loud they nearly drowned out frontman Dan Campbell), the introspective ‘Cigarettes & Saints’, ‘Thanks For The Ride’ and political powerhouse ‘Stained Glass Ceiling’ (with Campbell asking what the fuck did people think they had been listening to, addressing comments that they’ve ‘become’ political) were plenty of songs not often played live. ‘A Song For Patsy Cline’ was followed by a lengthy ovation from the crowd, ‘A Song For Ernest Hemingway’ went down well after Campbell pointed out it had been written due to the pressure of following up 2013’s ‘The Greatest Generation’. There was plenty of crowd interaction and jumping on ‘I Don’t Like Who I Was Then’ and ‘You In January’ – which was great to hear live in January – with Campbell saying, “If you came to the show tonight to fall in love, this is the song to do it to”.

Following the last song from ‘No Closer To Heaven’ (‘Palm Reader’), The Wonder Years left the stage for a short break before returning to play seven more songs (“You didn’t think we were done, did you?”), giving them the opportunity to play a few bangers from the rest of their discography. After a couple of songs from ‘The Greatest Generation’ (‘Passing Through A Screen Door’, ‘Dismantling Summer’) Campbell talked about how much great stuff The Wonder Years have done in the past decade since ‘No Closer To Heaven’. Talking up how their most recent album, 2022’s ‘The Hum Goes On Forever might just be their best work, before launching into ‘Low Tide’ and getting a great call and response with the crowd on ‘Oldest Daughter’.

They then got a little heavy with ‘Heaven’s Gate (Sad & Sober)’ before Campbell announced he would be turning 40 tomorrow, encouraging everyone to come celebrate with him in London. Closing with the evergreen pop punk classic ‘Came Out Swinging’, The Wonder Years concluded an absolutely epic show, something that was magnified by the relative grandeur of Manchester’s historic Albert Hall. We might only be in January, but we may have already had the show of the year!